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Guess the Oscar! (Like You Know and Watch All the Nominated Films!)

Ah, awards season.

The time when suddenly good films rushing to theaters, leaving us in wonder with whatever happen to the rest of the year.
The time when suddenly some good, serious actors grace cover of lifestyle magazines.
The time when we are forced to read and nod along in pretense whenever news about film X winning critics awards, or actor Y continues his/her winning streak.

Wait. Pretend?

Here’s the thing.
Chances are you read this note in your computer at home. That means most likely you reside outside US, or any countries that so far have had the Oscar nominated films released there.
Of course, you are deprived of the joy of knowing the films first hand, since all you can do is read about them.

Films? Read? They don’t go together. Hardly.

The other option is to rely on piracy.
Harsh truth, but everyone in many countries are exposed to this one way or another. Even then, not many films are already available in black market.
Sometimes the ones being sold are taken with crappy cameras, or having subtitles generated by Google Translate.

In other words, we are deprived of watching the films on big screen, as they are supposed to be seen.
(Hey, aren’t Oscar voters also watching films they have to vote from DVD screeners they get from studios? Hmmm …)

But thanks to the Internet, gone are the days when we were completely alien to the Academy Awards.

Oh, don’t you think I could forget when TVRI aired the time when Marlee Matlin forced herself to say “and the winner is” to Michael Douglas, Best Actor for Wall Street … only to realize the names and the film years later. Or when RCTI had Adolf Posuma in Los Angeles doing live reporting the time when, finally, Al Pacino won for Scent of a Woman.

We had no clue about the films then.

Now, with film bloggers and awards-specialist bloggers dominate and, like it or not, influence how and where the season goes, we become more familiar with each course of award seasons.

For film fans, we become expert as years go on.
For non film fans, you are likely to be overwhelmed … and that is why you need to read this note!

Nine films nominated for Best Picture, with some tenfold other pictures nominated in scattered categories can be puzzling.
But you need to catch up with your colleagues, peers, dates, flings come Oscar ceremony up to a week after; thus, I offer you a shortcut: sound bites.

What I am going to do is list several main categories (there are 24 categories in total!), and offer you one liners of information or trivia about the nominated works that will make other people go “wow! I didn’t know that you know that!” at you.

Then, as you are compelled to answer the often asked question of “so, who do you think it’s going to win?”, I offer you: safe bets.
This equals to “will win” field you see in many other prediction articles. Like the term suggests, the bets are accumulated from precursor accolades, namely other previous awards held this season, or simply guts gathered from critics.

And my personal pick, being the writer of the note. Don’t fret. Don’t be tempted.

Ready? Here goes:

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Posted by on 02/26/2012 in English, Film

 

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My Life with Whitney’s

remember when we held on the rain, the nights we almost lost it, once again, we can’t take the night into tomorrow, living on feelings, touching you I feel it all again

February 19, 2012, was a fresh Sunday morning, after the hard rain fell the night before. A supposedly jolly day turned grey when the first thing I saw was a flashing text on TV: Whitney Houston, singer and actress, dead at 48.

Even typing those words, a few days after the news broke out, still left me stunned in silence. I had to pause typing just now, much like I opened my mouth in shock in front of TV on the above date, before rushing to my computer and found the news to be true.
Like most of you did, I switched on my iPod, and didn’t take it out most of the day. Out of 60-odd songs of hers in the iPod, I began to sing along to some 40 of them. Without Googling, we know the lyrics to those songs by heart.

The songs, spanning from 1985 to as recent as 2009, covered a good prime spot of one’s lifetime. For early 30s people like me, we cannot help being exposed to her songs, whether we are fans or not.
In fact, it was not her name I wrote down in ‘favorite singers’ most of these time. The entry belongs to other more so-called serious singers we often write to make ourselves look, like it or not, pretentious.

Here’s the thing about Whitney: she never takes herself seriously. Her big voice, while it is undoubtedly her natural talent, is delivered to us with heart. She puts big enough faith in songs she sings, and we cannot help but being drawn to the voice. It is the voice that we notice first, such an overwhelming voice that most of us look up to. Still.

And how we have looked up to her all these time, unknowingly. Doesn’t have to be from the start of her career, but at one point of our life, we listened to her whole album, and before we know, we remember the songs.

For me, the crucial point was before my final exam of elementary school.
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Posted by on 02/21/2012 in English, Music, Personal

 

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Peas (or my Valentine’s Day post)

Perfection. It is never overrated, for it is something we aim, albeit we can never achieve.

Patience. It is something of a challenge, for it bounds us to limitless options, ones that take us to wonders.

Pamper. It is expected when you are about to call it a day to ensure you have a good night sleep.

Planning. It is not easy, with your unexpected overtime schedule, and my unpredicted work.

Playlist. It is playable anytime you feel like filling the air with the songs I choose for you.

Praying. It is what we often do, especially when each of us start feeling ill.

Please. It is seldom said, but we know that deep down, that’s what we want to do to each other.

Peace. It is felt in silence as we don’t really acknowledge it, not with your constant chattering from A to Z to A again.

Presence. It is getting difficult to have, but let’s not give up.

Present. It is the time I feel happy the most with you around.

Perfect. It is what we are together.

Courtesy of elle.com

 
 

Love Me Do – A Love Letter by The Beatles’ Songs

Thanks to petitepoppies who wrote an effortlessly cute blog entry about a love letter using nothing but The Beatles’ songs, now I got the bug to do the same.

Hey, I still stick to my plan of using The Beatles’ songs for my wedding* later.
(*Mom, if you read this, remember what you insist on saying: don’t trust everything we read on the Internet!)

You can do the same by checking out the list of all songs sung by The Beatles. Man, they’re a bunch of geniuses, aren’t they?

Here goes:

Bad Boy,

Do You Want to Know a Secret?

Don’t Pass Me By. Don’t Ever Change. Don’t Let Me Down.

I’m Talking About You.

Tell Me What You See.

I Wanna Be Your Man. I Want to Hold Your Hand. Eight Days a Week.

All You Need is Love.

Yesterday. Here, There, Everywhere. Across the Universe.

Because. Baby It’s You.

If I Fell. In My Life. I Will.

You’ll Be Mine.

Love Letters to The Beatles

 
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Posted by on 01/26/2012 in Blog, English, Music, Personal

 

A Work in Progress

The first 12 days of 2012, and how’s your new year’s resolution going on so far?

Acceptance is the key.
One part of body shuts, the others start seeking substitute. The search leads to open-mindedness, and thus it brings us to acceptance.

Live and love this way, because there’s no other better way than acceptance. Be good.

 
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Posted by on 01/12/2012 in Personal

 

#movieandme – What’s The First Film You Watched in Cinema?

More than any other time in my life, as long as I can remember, last year seemed to be the time I was drawn to filmgoing experience the most.

I can’t explain why. Perhaps it was the constant worry on the dearth of cinema during our ‘cinema-blackout’ period, which I had repeatedly written, the latest being my kaleidoscopic article here.

But beyond the unfortunate incident, somehow it has always been “planted” in me that the best medium to watch film is in cinema.
There is something magical about sitting in a darkened hall, waiting for flickering lights to turn into escapism world of images and words, where we surrender ourselves and reality surround us for a good two hour or so.

If you find those words familiar, that’s because most of the entries in the blog revolve around the topic. In fact, my life does, too. Or so I made it to be.

When I spent my year-end holiday in my hometown, I watched Mission: Impossible – Ghost Protocol in nearby cinema. It was a full-house session, despite no advanced sound system. Yet, the packed crowd shrieked and clenched their fists on their seats altogether when Tom Cruise climbed Burj Khalifa, holding their breaths anticipating the suspense and the thrill of that scene. As I sat on top rows, I could see clearly the collective movement, and it was such a joy, such an unbelievable sight at this time!

I still could not believe my eyes even when I reached home.
And as I looked around my room, tons of VCDs I collected when I was in college were stacked on shelves, collecting thick dust and zero care.
Having nothing to do during the holiday, and being thankful for relatively smooth Internet connection, I thought of VCDs giveaway via Twitter. One cannot live without twitting, right?

Three of five Video CDs (VCDs) for my #movieandme giveaway

Thus, on the last day of 2011, either most people at their utmost relaxing mood or busy preparing for parties later, I asked my timeline:

Do you remember the very first film you watched in cinema?

Using hash-tag #movieandme suddenly answers started pouring in. What supposed to be film title turned out to be recollection of memories: when they watched the film, where (and many cinemas that are no longer present), and with whom they watched the film.
These answers still strike my emotions as I am re-reading them now.

What intrigues me most from this collective memory is how our childhood revolved around cinema, one part or another. Many of us were either going with parents, friends from school or relatives, and the choices, as you can see below, are mind-blowing!
Who would’ve thought that our past cinematic treasure could be this rich?

And look at how diverse the location is! Wherever you spent your childhood, cinema was around to lure you in, and good time was abound.

Guess a saying that goes “everybody must have a certain memory about cinema” is true.

While reading these #movieandme entries, can I ask you: what’s your very first film you watch in cinema?

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Being Happy Begins with Being Healthy

It began with a headache.

The headache continued, which made me wonder as I had never experienced continuous heavy headache before.

It culminated in the following words by our family doctor:
“Nauval, you are reaching to hyper-tension level. Your blood pressure is now 140/90.”

There I was, lying down, stunned and lost for words. Deep down I screamed, “It’s always been 100 and not more!”
The doctor, who called me on nickname basis, who has been with me since I was born, further said in a matter-of-fact manner:
“It’s getting common now for people of your age.”

To me, that is a welcome sign to “hello, you are old now. Take care.”

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Posted by on 12/31/2011 in English, Personal

 

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My Top Filmgoing Experiences of 2011

What a year.

More than anything else, we will remember 2011 as the year we almost lost cinema.

No thanks to the temporary halt of film import that went on for 5 months (how did we even survive, I wonder?), we almost lost the joy or even the idea of cinema-going experience itself.

Suddenly the term filmgoing experience itself finally acknowledged the idea of going to pirated DVDs shops, something we have been exposed to all along, but not until this year public acknowledgment of such could be said without shame.

The overview of the situation has been written in The Jakarta Globe as part of its kaleidoscope series, by yours truly.

What’s written here is a recollection of how a common filmgoer like me spent his time in movies this year.

I was simply trying to make do of what was left in cinemas, and guess what?
There were unexpected joys to find, thanks to those who still believed in the power of cinema and its audiences, bringing films from different parts of the world, unlikely programming that amused my thirst of quality cinema, and occasionally bad films that, nevertheless, made me smile.

Here they are, my choices for filmgoing experiences of 2011:

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Posted by on 12/29/2011 in English, Film, Personal

 

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What good is a heart in words?

Dear you,

Before the answer to the title is revealed, and before the fate of this letter ends up in its disappearance from the mailbox, I hope there are some precious seconds you are willing to spare to read this through the end.

And I wonder if the request has now become some sort of soft force I make you do, because if it is, you have every right to divert your eyes from this space.

As much as I have my right to continue writing this, and liking you.

In fact, it has been going on for some time now, in which you may choose to acknowledge in silence, or you keep it by yourself in heart.

Either way, it gives yours truly assurance that what is not spoken in person eventually reaches out to you, something I consider as another personal achievement.

The other achievement lies on how you have made me a complete human being just by falling for you.

In my attempt to keep you in my thought, I’ve kept thinking of you as I close my eyes for the day, and open them to start another.
Injecting you in my mind as a flame has warmed me up when my bitter, cold self turns up in many circumstances.
You are present in my mind as a detractor to keep me away from things I might have done on the first place that would only harm myself.

Dear you,

I don’t need to wonder if I’m ever present in your dream, let alone in your full consciousness.
The fact is, relationship begins as a selfish act when one lonely heart desperately seeks another to avoid loneliness.
The loneliness leads one to despair, often shown in bitchy, cranky traits that further makes one hardly likeable.

Thus it is fine when one shuns unfavorable person to occupy heart, albeit the mystery that always surrounds this sentence: “we cannot choose who we fall in love with.”

Yet, this is not love.
This is only me, a man with nothing else to offer but his heart, telling you that you have made me fall for you, without wishing anything in return.
This is only me, a man thanking you for finally making me believe that, by liking you wholeheartedly, you have given life again to once heartless self.

The heart is full of life again.

Thus, what good is a heart in words?

It’s a heart that is filled with joyful hope and is worth expressing in words.

 
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Posted by on 12/24/2011 in English, Personal

 

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What Are Crazy Things You Do For Movies?

It all begins with my dear friend Santi saying this:

“Val, I want an action. Something you’ve done.”

I swear if it’s something about impregnating …

“We want something you’ve actually done to show how crazy you are. And we all know you’re crazy ;”

I’m still digesting and thinking if there’s any alcohol involved. Because if it is …

“Let me put it this way: you need to tell me how passionate you are about movies. What are the crazy things you’ve done for movies?”

Exit false pregnancy worry, enter bigger question.

What are crazy things I’ve done to show how passionate I am about movies?

The question has occupied me the entire evening, so much so that you are reading what my mind is thinking right now.

Repeatedly I have written blog entries, which serve like a love letter to cinema. The first one, you can read them here, which tells how I was lured by my parents, then avid filmgoers, to literally “dark side” when I was a kid.
Then there’s another one here, for my emotional outburst during our dark period of cinema-going earlier this year.

Is this going to be another love-letter to cinema? Since “crazy” is the operative word here, I’ll let you decide at the end of the entry.

What I can be sure of instead is how my life has always been evolving around movies. The involvement ranges from being merely as a spectator, or what has been happening in the past six years: a slave in the film circle itself.

Thus, film has always been one of the main priorities, major in fact, in every turning point of my life.

When one does what it takes to get his/her utmost priority, what others perceive as ‘that-crazy-thing-you-do’ is actually a normal thing to do to us. Call it a norm or custom or habits, we don’t feel like doing anything crazy or special at the moment of carrying out the actions.

Only when we look back, like what you and I are doing right now, we realize how often those past things seem surreal.

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Posted by on 12/07/2011 in English, Film, Personal

 

When A Life is Happening Right Before Your Eyes …

How’s your day?

Today I met my friend who is currently battling cancer, but there is more to that.
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Posted by on 11/27/2011 in Uncategorized

 

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What do you want to be when you grow up?

(I made this note more than two years ago on Facebook. As I re-read it, I find it surprising that little to none has changed since then. Every single word remains true, and every single wish, un/fortunately, is still something I’ve been hoping to come true.

Tonight, among any other nights, I feel like sharing this to, ahem, more readers. For the sake of preserving the note in case I decide to close my Facebook account, here it is:)

what do you want to be when you grow up?

ask me this question back when i was in kindergarten up to the first few years of elementary school, then the answers are those of commonly found:

“i want to be a doctor!”
“i want to be an astronaut!”
“i want to be a policeman!”
“i want to be a president!”
“i want to be a scientist!”

okay, i lied about the last one. how can i say that, when it took my teacher hours and hours to explain the law of gravity to me?

luckily, she did not need to encounter such a painful experience again, for she never found out what i wrote on my friend’s notebook when i was 10 years old:

“i want to be a good husband and father”

as long as i can remember, i wrote the words down very quickly. i did not hesitate a bit, or took a peek of what my other friends had written before me, something i had always done before i chose any of those typical and ideal professions.

at that time, i never knew why i suddenly had the urge to write that. and it has taken me years to find out the answer, which is hardly any surprise to me:

i looked up to my mum, my dad, and their relationship.

this year marks the 35th anniversary of their marriage, a considerable feat these days, although it was once considered a common occurrence in those good old days. for me, it is a tremendous achievement, yet it is also something i am not *that* surprised to see.

my dad does not say much.
he perseveres through the hard times in his life that had already started in his childhood, yet he never shows his signs of fatigue and tiredness. always insists that he “is okay, no matter what”, i saw him struggling with his own effort to keep the family up and running, while loving my mother with all her antics.

of course they are not the wicked kind of antics.
yet, as opposed to his character traits, my mum is the vocal ones, who often gets the action done, cracks a joke or two, and when she is being opinionated about something, sometimes she loses her train of thought. to say she is a survivor is merely underrated, but to say she is strong and brave is something i will nod in agreement.

and they love each other, despite a few, way too subtle incidents that let slip once in a while.

my dad might have felt a little uncomfortable when my mum’s ex showed up and showed off him being financially successful, yet he hid the feeling very carefully.
and for a slightly more obvious turn, while being covered in jokes, my mum must have felt jealous with any of those female college students who rented our rooms who happened to look above average, fearing my father would be attracted.

they knew, i knew, but what did they do?

they sailed through the temptations, and like many parents, they acted, not pretended, as if nothing happened in front of the kids.
they may have stopped saying ‘i love you’ in romantic manners as suggested in film and music since, i don’t know, thirty years ago, maybe, but they believe on many other things:

beyond love, there’s a respect to each other.

beyond love, they honor each other, for each of them has role and presence in this unit of marriage they had decided to embark on.

beyond love, they have mutual understandings that they cannot live without each other.

beyond love, they substitute with dreamy kind of happiness with a much more real one that is based on faith and assurance.

and twenty years later, after i wrote down what i had wanted to be, i realize that i want to be the kind of husband and father my dad is, with a touch of my mum’s side, in a relationship like theirs.

of course, it takes two to tango, and a miracle to create that perfect click. so, for whoever you will be in my future, this is what i want to say:

“allow me to step in to your life, not for being the kind of guy you’ve been used to go out with, or being your ‘type’, but simply for being the guy who accepts who you are, where you come from, how you are, and how you are in your family.

call me crazy for declaring that, but i am much more interested in your future, rather than your past.

of course, it’ll be nice to have your future spent with me, but even if it is not, you know that i am still looking after you from afar, until someone else may change the course of our lives.

“allow me to offer you a steady companionship, and not the killer moves or kisses, for all i have is an assurance that i come home to you, that in the morning i look at you, and that at the odd moments of time, i call, text, pop up and say the most heartfelt ‘hi’ to you.

think of me as annoying maybe, for both my stubborn silence and bitchy words are guaranteed to equally bug you. think of me as disturbance maybe, for both my passive and active moves will end up similarly in disappointment.

i will end up bearing belly fat, while you end up being the gorgeous one. but you won’t find anyone more comfortable with however you turn out to be.

i will end up doing my dangling dalliances at some point, which you will do, too, to channel out your boredom of me, but let’s make a pact that we will come home to this same pad.

“because for what we will eventually have is respect and honor to each other.

because for what we will eventually embark on is something only two of us know. well, maybe include some others, but are you sure?

because for what we will eventually choose is made based on our sane logic, rather than glorious feeling.

“and you know what i’d like to have?

because when people ask me, “what do you want to be when you grow old?”

i’d like to answer that i want to grow old with you.”

 
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Posted by on 08/22/2011 in English, Personal

 

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For The Two of You on Your Wedding Day


(You know who you are. If only there’s a toast tomorrow, this is what I will say.)

We thought we’ll never see the day.

How you all persevere under gigantic, huge, tremendous hardship all through the years is beyond our knowledge.
Well, actually, we may have tiny knowledge on that, but often they’re buried under your cheeky laughter, your mischievous smile, and most importantly, beneath the layers of martabak manis special double chocolate and avocado juice extra chocolate we always cherished.

Besides that, there are other items to be treasured as well. Good food, occasionally good pictures that you two take with your analog cameras, but mostly good food that we never run out of.

We may not be with you from the beginning of your relationship, but I guess we were there during the most crucial moments of your life together.
People avoid falling to the same trap twice, but man, you intentionally took that risk. Boy, you do know the risk that’s all coming against you.

But then hard times never fail to define characters. Through these precious few years, we see how you two are progressing.
This wedding is not the final or the last point. This is just the beginning. And we gladly extend and renew our support behind you two. Why?

Because we can have a couple to look up to. Someday, I envision us here to say, “hey, you know that couple? They’ve spent years fighting the currents against them, and they never fail to fight. They’re strong by being together. That’s what makes a great couple. Just look to them.”

And we’re glad that today is the beginning of a lifetime journey.

We love you all, and we will always be next to you.

Love,

Nauval.

(This is the picture of where they will live. Taken by the groom, a talented photographer I’ve been a fan of since forever. Here’s to you, you two.)

 
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Posted by on 08/19/2011 in English, Personal

 

We want to fall in love like those in movies!

Don’t we?

Especially the working-class singletons, who enslave themselves five or six days a week because being married to a job is better than coming home to an empty house.
Or a room, or a flat, or an apartment; all of which, regardless the size, will always feel too big for one.
Weekend is a thing to despise because with no one to wake up with, Saturday and Sunday feel longer than weekdays.
Looking forward to working days is something of a norm, because the job may be the sole thing that makes life worth living.

If it sounds sad, look around. It may be you, me, or anyone we know.

What we have in common is our escapade: romantic movies.

It is in movies that both singles-wanting-to-be-attached and attached-wanting-to-be-single find common ground to feel good about ourselves.

Every time we see images of two strangers bump into each other, we know what’s going to happen next: they exchange glances and smile at each other, perhaps introducing their names. Under soft light, generic score runs from being playful to glorious, enhancing mood that lasts either in a scene or throughout the entire film.

Ending, who cares about the ending? It is the journey that matters most, or otherwise, we cannot recite “I’m just a girl standing in front of a boy asking him to love her” or wishing that everyone is looking at the same full moon, and fall in love.

We all want to fall in love like what is being done in films.

We don’t care that scenes are choreographed and edited. We know that somebody up there suddenly plays orchestral sound, but in real life, we still want that to happen. When we kiss our beloved one, deep down we wish that somebody is suddenly playing An Affair to Remember theme, and we can see ourselves if we already do deep passionate kiss the way Elizabeth Taylor and Montgomery Clift did.

Because when we fall in love, we set aside logical thinking.
Those glorious feeling inside that appears after adrenaline rush kicks in, those yearning to have a big, lush scenes of embracing our significant other by the river, we all want that to happen.

Hey, I tried that with my ex as I tried to re-enact the scene when Julia Roberts tried to find Rupert Everett in a wedding. Wrong scene, right movie, but you get the idea.

See? The seemingly small gesture is still tucked in somewhere in my memory.

Guess what we want, indeed, are those fleeting, small moments.
We want to experience magic once in a while in our real life, already hard with pressing issues in daily basis. What else can give continuous inspiration if not those movies?

Recreating gives something to look forward to. Oh, the excessive planning, the anxiety of thinking, “what if it doesn’t work?”, the time when heart beats faster.

Like everything else, it doesn’t hurt to have a desire to experience these fabricated acts in real life.
In fact, we already do the re-enactment when we keep daydreaming and thinking that we can always win over guy by long phone calls. Or going to laundry, hoping to meet the cute strangers who do not steal our undies for their fetishes. Or while queuing in bank, hoping to strike up a conversation with strangers who do not point their guns at us.

If life brings you down, then maybe it is in the smile recollecting moments of romantic films can make us feel good again.

Don’t we all want that?

 
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Posted by on 08/19/2011 in English, Personal

 

Life may begin with ‘The Tree of Life’

Life begins with nothingness.

So does my personal experience in watching the film. Armed with overwhelming warning, expectation, hope and other kind of buoyant adjectives that only propel further confusion, I decided to enter the darkened cinema hall with no prior thoughts nor set of presumption.

The only thing we can hold true is the title itself: The Tree of Life.

Seemingly poetic, the words that make the title unveil themselves through a series of imagery that would rival the best National Geographic photography works ever invented. We may be tempted to describe the whole film as a visual poetry. There are those, I am sure, that prefer to describe the entire film as a masturbation work of an artist under bout influence. There is a possibility that one treats the film as an artistic exhibition worth being displayed in a world-class art gallery, but not cinema.

These are examples of a few labels that may be applied to the film. These labels comprise the film. Just like life itself.

In fact, if life is a film, then it might as well be The Tree of Life.

Especially when life is filled with curiosity to explore what constitutes as mankind. Through the whisper of voice overs, the striking visual galore and microscopic close-up scenes, Terrence Malick observes life from the eyes of a child who simply wants to understand his own being.
As a boy like any other boy, he carries equal influence of being raised by a set of parents, namely Mother (Jessica Chastain) and Father (Brad Pitt).
As a boy like any other child, he carries within himself eternal attempt to balance the contrasting teachings from both parents.
As a boy like any other beings on earth, he lets nature guide his action, sometimes at the cost of his wonderment of doing things he does not wish to do in the first place.

The internal struggle of human being, something Malick has never grown tired of exploring in the past four decades, is given a larger-than-life proportion in this canvas. Alexandre Desplat’s operatic score enhances the ethereal beauty of Emmanuel Lubezki’s mesmerizing cinematography that is derived from Jack Fisk’s production design. Mark Yoshikawa orchestrates the film with various paces of editing that keep one audience enthralled, so much so that he barely moved an inch in the first hour.

Me. It should be you.

But like life, to each his own cinema-going experience. In short, like life itself, we may perceive things differently, because as the Brad Pitt character says, “Subjective is something that is true to you. Can’t challenge it to anybody, because it is coming from you.” Something like that.

Thus, watching The Tree of Life is akin to how we behave towards things in our surrounding. For every one hooked, shuddered and cried, there are others who choose to walk out. For every one that defies and denies the film worthy of entrance fee, there are those who embrace this as the film that can propel the function of cinema as a place to experience visual treat.

If you choose the latter, then you should know that the treat comes at the cost of Malick’s venture in finding God. More than just using Bible quotes and the endless images of outer space, ancient times, and other-worldly shots, the director ushers us to discover ourselves through our relationships with parents, sibling, people, and nature. Being a keen observer, he leads characters to scarcely sparse dialogue, making each line quote-worthy. The lines eventually immerse in our sense, and we begin to surrender.

Note that it was not an easy give-in process. You don’t get any spoon-fed linear narrative here. The moment you decide to stay after the first 20 minutes, mind-blowing images like how one usually describes the experience taking chemical drugs continue to bombard and leave us perplexed. Slight conventional drama follows, allowing us to take a breath while trying to connect the dots of what we see earlier. Before we may or may not succeed in doing such, another arrays of pictures set in.

“You have to be the master of your own life,” again, the Father character said. It is a continuous process that one shall undertake to make the life goes on living. Understanding the film is another continuous process one shall take to complement the task above.

Do I understand the film? I don’t. Do I “get” it? Hardly.

Do I understand life? I don’t. Do I “get” where life is headed? Hardly.

In the end, after the house light is lit up and end credit rolls, we may return to nothingness. But this time, there’s an undeniable mark within us that we are already exposed to one’s attempt to uncover life and humankind in a masterpiece of filmmaking.

Let The Tree of Life grow in us.

Let it be a start to understand life.

Experience it.

(Images are taken from the digital booklet of The Tree of Life original motion picture soundtrack. Solely used for personal purpose.)

 
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Posted by on 08/14/2011 in English, Film