Oh. My. God.
So we all know that Chicken Little is Disney’s latest bait to test the water on what will happen after Pixar leaves them for good after “Cars” is released next year. A sad move, but such a move is necessary, and you will know why after you finish reading this piece.
Assuming that you watch this film during the holiday season, when you will take your kids or nieces or nephews or basically any people under the age of 12, I plea to you all to pick any other films to watch, because you don’t want to see your kids getting harmed by the film. Why? Because, oh God, do you all really want to know why?
Here’s a spoiler.
The film will be listed in my annual top films of the year as …
THE GAY-EST FILM OF THE YEAR!
Everything in this film screams “Gay” out loud in pride! Do you want some proof?
Let’s start by the commonly perceived Disney’s convention in omitting the mother-character in almost every single (animated) film released by the studio. You’ve got Bambi’s mother killed within the first 40-minute of, well, “Bambi”; and whoever knows about Ariel’s mother? Then of course, Belle has no parents, and Nemo’s mother dies when he is still being an infant. I was convinced that Disney finally getting sober when “The Incredibles” was out, for finally Disney managed to break the boundaries … which sadly, did not last that long.
Moving on, having your son imitating Chicken Little singing “I am the Champion” (a narcissist version of “We are the Champion”) under a spotlight made from a torchlight put on his bed will cause him being vain and God only knows what sort of effect will be derived by having the late Freddie Mercury as an idol.
And soon enough, Runt the Litter will be cemented and clamored as a gay icon, thanks to his “Streisand collection” (and his persistence to keep it), sadistically singing Spice Girls’ song during karaoke session, and talk about being a good buddy to a girl in distress over her not being popular and less self-confident about her look? This speaks loud.
Not that I don’t have a good laugh throughout the film, but I could not help pitying Disney over its waning magic in providing the audience with narrative storytelling that compels us to our seat and looking at the big screen with awe. The story that revolves son-father relationship has been told too many times, which could work differently if it is presented in a different angle. Yet, the plain manner certainly did not help elevating the film to be a distinctively feel-good flick, especially knowing that a similar theme has previously been explored in depth in “Finding Nemo”, released in only 2 years ago.
Patching the plot holes with mindless pop tunes certainly would not do any good to the film, even worse, making the film becoming the most uninspiring Disney film in years, scoring-wise. Notice how recently Disney’s film seldom made to the Original Score nomination in Academy Awards? That’s another issue altogether, yet I can’t help thinking so after seeing the mess of the film in its musicality.
This concerns me most, especially for parents/uncles/aunts out there, if you happen to see your kids/nieces/nephews belting out pop tunes instead of show tunes, wouldn’t you worry that the girls’ will be popstar-wannabe and the boys’ will be non-culturally polished gays?
Whatever it is, my final say goes to Pixar: Run for your life, the (Disney’s) sky is falling!