(Siffest means perfection, where lateness in the screening time does not happen and abrupt electrical failure is a big no-no during the screening.)
Tonite marked the rare occurence of sudden interruption due to the technical failure that happened exactly in the middle of the screening. Whereas such disturbance usually takes place in the beginning, luckily this jolt did not interrupt our viewing digestion.
You know exactly if this kind of thing is felt, then the film is surely something special to talk about.
Or perhaps we should personify this film as it carries the name that speaks of beauty and fragility.
Her name is Yasmin.
She is a Pakistani (Paki) woman, living a working-class life in UK whose self-esteem life was shaken to the core due to the unfortunate event of 9’11”. Her family is torn apart, her shelter of love life shatters, her breadwinning job dismisses her, and she begins questioning the faith she believes in.
So much of paranoia is shown vividly throughout the entire film, some might be a good dose of humor, at times turning this film to a dark comedy territory.
Yet, most of the time, the film speaks to the hearts of minorities everywhere, what it’s like to be seen and treated differently while what you’ve got, is only yourself to stand up tall and straight.
Simon Beaufoy‘s tight script allows the film to move flawlessly for us to see what it’s like to be a part of society being the object of hatred from the bigger cliques.
Kenneth Glenaan‘s marvellous direction swifts nicely for us to feel like being inside the film.
And carrying the titular role, Archie Panjabi couldn’t be more believable in portraying her well-drawn character.
The way she whisks her husband to obey her.
The way she surrenders to reality.
The way she laughs at hedonism.
Finally, a film that is worth standing ovation for its bravery and independent spirit in showing the real world as it is.
But, what about that failure disruption?
Well, what failure disruption?